I admit to being a bit torn over the TNT show “Hawthorne” (which just premiered its third season), and specifically, the marriage of Christina Hawthorne (Jada Pinkett-Smith) and Tom Wakefield (Michael Vartan). Not so much because of the obvious interracial union (hey, you love who you love), but more so because of the ramifications of that union.
Ramifications off-screen, that is.
Outside of the fact that television is a powerful medium, one that has the ability to make, break, or simply reinforce stereotypes (you can’t tell me that shows such as “Julia,” “The Jeffersons” and “The Cosby Show” weren’t culturally significant), the Hawthorne-Wakefield marriage is striking in one simple aspect.
Casting.
Let’s face it, if you’re a black actor in Hollywood, it’s hard to get a job. Many of the decision makers (network execs, casting directors, executive producers) are not people of color, and unless you’re someone like Shonda Rhimes, you’re probably not calling the shots in terms of who lands what role.
Story: Jada Pinkett-Smith talks 'Hawthorne' on 'The Talk'
That’s why whenever well-known black names get involved in entertainment (be it Quincy Jones producing “The Fresh Prince of Bel-Air,” Will and Jada creating “All of Us,” or Queen Latifah's muscle behind “Single Ladies”) it’s pretty important.
African American producers telling scripted stories that feature African American leads is a powerful (and not nearly widespread enough) formula for success.
So when I see Hawthorne walk down the aisle to meet Tom at the altar, I don’t cringe because it’s black-white love. But I do turn my head to the side like a perplexed dog, curious to know the reason why in a show that’s produced by a popular and successful African American woman, showcasing black love on the small screen (something sorely needed in a world full of “Basketball Wives” drama) is not deemed important.
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And why, as a result, a capable black actor is once again out of luck in getting cast on a popular show.
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